Critique of Shadow Portrait by Karin Székessy

29 07 2008

I’m deeply affected by the image Shadow Portrait by Karin Székessy.  I find it so intriguing and special, that I thought I’d write a critique of it.  My secret hope is that by searching for the right words and by analyzing why this image stirs up such a strong reaction inside me, I might gain a deeper understanding of it and ultimately be more likely to produce images with similar visual impact.


Copyright by Karin Székessy

Let’s get the obvious stuff out of the way first.  We have before us a highly stylized black and white portrait.  The extraordinary lighting and the extreme contrast reveal only the most essential features of the model’s face: one eye, a forehead, one cheek, half a nose and half a mouth.  The highly graphical outline and the featureless white skin remind me very much of a skull or better yet, of a carnival mask — a thing devoid of life and emotion.  But the eye and the delicate curves of the lips, cheeks and nose are so full of life, so enigmatic and seductive that they easily overcome the idea of lifelessness.

Next I notice a further contradition — the highly detailed and intricately handcrafted hair-piece appears in total contrast to the rounded outlines of the face.  My first reaction was that I might like the image better without this “disturbance,” but now I’m no longer sure.  The eye and the hair-piece are the only ares of the image with tonal detail, thus striking a great balance.

And then there is the final, dare I say genius, detail — the dark vertical line that divides the face into two halves.  To me it is this division that unifies the image.  It divides between light and dark, between living and lifeless, between a person and a mask.  And thus it unifies all important elements of the Shadow Portrait.

I’d love to know if the image was previsualized this way or if just “happened.”  But in the end what does it matter?  Only the final result matters, and the final result is a superbly composed and masterfully implemented image that I can look at day after day.

I wonder if I could somehow purchase a Shadow Portrait print.  I’d love for it to be the first original piece of art that I might own…





Karin Székessy Exhibition in Hamburg

28 07 2008

The job is consuming lots and lots of my time lately, but yesterday I had a short breather, so I visited Karin Székessy’s exhibition Photography in Hamburg’s Museum für Kunst und Gewerbe. The closing date is Aug 31, so if you are planing a visit, don’t wait too long.

I could only find one or two images by Karin Székessy on the Internet beforehand, so my expectations were based solely on the black and white shadow portrait on the exhibition’s poster. This is the same image that you can see below on the cover of Karin’s book Photography. I find this image very appealing and very strong, so I was hoping for a very good show.  I was definitely not disappointed, but since most images are quite different from this one, my expectations were not quite met.

The exhibit contains about 240 photographs and a significant portion of those are female nudes. These seem to be the main focus of Karin’s long career, although a number of images depicting dogs, plants, reportage and landscapes are also on display. Amongst the many are black-and-whites and a few dark and somewhat gloomy color images.  About half of the images are posed and the other half are quite spontaneous.  Many photographs contain some form of motion blur.

Interspersed amongst the large prints are huge contact prints of entire film rolls that give an insight into the shooting style of the artist.


Copyright by Karin Székessy





No Time, a Little Short on Inspiration

20 07 2008

During the past three months I’ve had to invest lots of time and concentration into my job, and my photography has unwillingly taken second place. But it’s fighting back and recently I’ve make a couple short trips to the underground stations and around some metal bridges.

More posts and images will follow.





The Histogram — Light Meter of the XXI Century

11 07 2008

The 2008 fall/winter program of the local Volkshochschule1 (VHS) came out today, and I will be teaching a course called “The Histogram — Light Meter of the XXI Century.” Since I like teaching, I’ve been wanting to do a photography course for a while now. My course will take place on Nov 1 and 2, four hours on each day.

On the first day I will explain what the histogram is, how to set up the camera to display the histogram and how the camera controls affect the histogram. Then I’ll get into the more controversial topic of how does an optimal histogram look like. And for the RAW-shooters I’ll explain the “expose to the right” idea. On the second day I’ll explain how to manipulate the histogram using brightness and contrast, levels and curves. And we will do lots of examples in ACR and Photoshop.

I’ve been teaching photographic concepts to my friends for quite a while, but this is the first time that I will be doing it officially. So I’m quite excited.

1 Volkshochschule = German school for adult education. It’s similar to a community college, but it does not grant any degrees.





1 Year NoArt-Blog

6 07 2008

It’s been lots of fun going out and photographing, watching my images improve and writing the blog, so I guess it was all worth it.

Well then, happy birthday to… me!